Original work Liszt work Forces Date S no. Notes
Opera Lucrezia Borgia (1833) Reminiscences de Lucrezia Borgia piano 1840 S.400 The sections are: (1) Trio du second acte and (2) Fantaisie sur des motifs favoris de l'opéra: Chanson à boire (Orgie), Duo and Finale[14]
Opera Lucia di Lammermoor (1835) Reminiscences de Lucia di Lammermoor 1835‑36 S.397 Based on the Sextet
Marche et cavatine de Lucie de Lammermoor S.398 Intended as part of the Reminiscences (S.397) but separated by the publisher[14]
Lucia di Lammermoor Valse à capriccio sur deux motifs de Lucia et Parisina 1842 S.401 Combines motifs from Lucia di Lammermoor and Parisina. The Valse à capriccio, S.401 was revised as No. 3 of 3 Caprices-Valses, S.214 (1850–52).[1]
Opera Parisina (1833)
Nuits d'été à Pausilippe, 12 ariettas and nocturnes (voices and chamber ensemble; 1836):
  • No. 1, "Barcajuolo"
  • No. 9, "L'Alito di Bice"
  • No. 4, "La Torre di Biasone"
Nuits d'été à Pausilippe 1838 S.399 [14][21]
Opera La favorite (1840):
  • Duettino (Act IV)
Spirito gentil 1847 S.400a Possibly same as S.742.
Opera Dom Sébastien (1843):
  • Funeral march
Marche funèbre de Dom Sébastien 1844 S.402
  • Act IV
Paraphrase  ? S.744 Lost; this was based on Theodor Kullak's transcription (paraphrase), Op. 31,[22] which was itself dedicated to Liszt.[23]
"Duettino" Transcription  ? S.742 Lost.[11] Possibly same as S.400a.