Original work |
Liszt work |
Forces |
Date |
S no. |
Notes |
Opera Lucrezia Borgia (1833) |
Reminiscences de Lucrezia Borgia |
piano |
1840 |
S.400 |
The sections are: (1) Trio du second acte and (2) Fantaisie sur des motifs favoris de l'opéra: Chanson à boire (Orgie), Duo and Finale[14] |
Opera Lucia di Lammermoor (1835) |
Reminiscences de Lucia di Lammermoor |
1835‑36 |
S.397 |
Based on the Sextet |
Marche et cavatine de Lucie de Lammermoor |
S.398 |
Intended as part of the Reminiscences (S.397) but separated by the publisher[14] |
Lucia di Lammermoor |
Valse à capriccio sur deux motifs de Lucia et Parisina |
1842 |
S.401 |
Combines motifs from Lucia di Lammermoor and Parisina. The Valse à capriccio, S.401 was revised as No. 3 of 3 Caprices-Valses, S.214 (1850–52).[1] |
Opera Parisina (1833) |
Nuits d'été à Pausilippe, 12 ariettas and nocturnes (voices and chamber ensemble; 1836):
- No. 1, "Barcajuolo"
- No. 9, "L'Alito di Bice"
- No. 4, "La Torre di Biasone"
|
Nuits d'été à Pausilippe |
1838 |
S.399 |
[14][21] |
Opera La favorite (1840):
|
Spirito gentil |
1847 |
S.400a |
Possibly same as S.742. |
Opera Dom Sébastien (1843):
|
Marche funèbre de Dom Sébastien |
1844 |
S.402 |
|
|
Paraphrase |
? |
S.744 |
Lost; this was based on Theodor Kullak's transcription (paraphrase), Op. 31,[22] which was itself dedicated to Liszt.[23] |
"Duettino" |
Transcription |
? |
S.742 |
Lost.[11] Possibly same as S.400a. |